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Drawing on two or more scholarly sources and in no more than 1500 words, discuss John Keats’s representation of Madeline in “The Eve of St. Agnes.” a should represent the general idea about the gender issue in the Romantic period. Particularly relevant in this respect is that you think about the relationship between gender and genre: is the romance narrative a feminine or a masculine genre and why? If feminine, why did romantic poets, like Keats, use it? If masculine, why is “The Eve of St. Agnes” overwhelmingly ironic and ambiguous in its representation of the lovers, especially Madeline? Does Keats conform to the patriarchal cultural stereotyping of the woman as ‘angel’ or ‘demon’ or does he subvert this stereotyping when he uses the romance genre ironically? Why does Porphyro sing “La Belle Dame Sans Mercy” in the poem? Is Madeline an enchanter like the one we met in the poem with the same title by Keats? Why does Keats employ oriental imagery (the furnishing of Madeline’s room and the exotic food in stanzas 30-31)? Does Keats follow the orientalizing of the “femme fatale” as means of distancing the threat of seductive women? Is Madeline representative of the ideal? If so, why the erotic hints in the chamber stanzas? Does Keats show anxiety about idealism? If so, why does Keats associate her with ambiguous biblical references such as St. Agnes and Magdale...
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